Bibliography

Selected Bibliography (Books, Catalogues, Periodicals)

Wayne Tunnicliffe & Anneke Jaspers, eds, Pop to Popism, Art Gallery of New South Wales, Sydney, Australia, 2014

John Murphy, ed., Gallery A Sydney 1964-1983, Campbelltown Arts Centee and Newcastle Region Art Gallery, Sydney and Newcastle, Australia, 2009

Suzanne Davies & Peter Barnes, ‘Living Elvis’, RMIT Gallery, Melbourne, 2007

Christoph Dahlhausen, Hans M. Schmidt, Dagmer Weste, eds, ‘Australia – Contemporary Non-Objective Art / Australien: Ungegenständliche Kunste – Heute’, Hachmannedition, Bremen, 2007

McCulloch, A., and Mc Culloch, S, Richard Dunn, The Encyclopaedia of Australian Art, Allen and Unwin, St Leonards, N.S.W, 2006

Dr. Paul Eubel, ed., Richard Dunn, Weltanshauung, Goethe-Institut & Swiridoff Verlag, Palermo & Künzelsau, 2006

Keith Broadfoot, Lost in Transit: The Non-Place of Installation, Australian and New Zealand Journal of Ar, Sydney, 2006

Ingrid Mössinger & Anne Marie Freybourg, eds, Anne Marie Freybourg, Knut Ebeling, Stian Grøgaard, Richard Dunn: Mannig•faltig/Mani•fold – Malerie+Fotos/Painting+Photography, Jovis Verlag, Berlin, 2005

Ingrid Mössinger & Katharina Metz, eds. Richard Dunn, Friedrich Naumann, Liane Sachs, Katharina Metz, Blickdicht: Damenstrümpfe in Chemnitz/Installation Richard Dunn/Kunstsammlungen Chemnitz, Edition Leipzig, Leipzig, 2004

Richard Dunn, ‘The Chemnitz Project: Built Fabric’, Ingrid Mössinger & Katharina Metz, eds, Blickdicht: Damenstrümpfe in Chemnitz/Installation Richard Dunn/Kunstsammlungen Chemnitz, (solo cat.), Edition Leipzig, Leipzig, 2004

Richard Dunn, ‘Reminiscence of the Factory in Beijing’, in Huang Rui, ed., Beijing 798: Reflections of Art, Architecture and Society in China, Beijing, 2004

Richard Dunn, ‘Urbane Geometry’, in Southern Review, Vol.37 No.1, Melbourne, 2004

Richard Dunn, David Watson’s Terror Australis, (cat.), GBK Project, Sydney, 2004

Pamela Hansford, ‘From Vienna to Chemnitz: Eclecticism & Interpretation in the Work of Richard Dunn’, in Eyeline: Contemporary Visual Arts, Number 52, Brisbane, 2003

Richard Dunn, Jess MacNeil: Tenuous Ground, (cat.), Gallery Barry Keldoulis, Sydney, 2003

Rex Butler, ‘The Case of Richard Dunn’, in, A Secret History of Australian Art, Craftsman House, Sydney, 2002

Terry Smith, Transformations in Australian Art: The Twentieth Century ­ Modernism and Aboriginality, Craftsman House, Sydney, 2002

Stian Grøgaard, ‘Richard Dunn: Complexity and Signature Style’ in The Restless Object: Twelve Conversations on Contemporary Art, Unipax, Oslo, 2001

David Pestorius, ‘Monochromes’, in Monochromes, (cat.), University Art Museum The University of Queensland, Brisbane, 2001

Michael Shmith, ‘The writing is on the walls’, Opera Australia: Figaro, No.6, Melbourne, 2000

Terry Smith, ‘Peripheries in Motion: Conceptualism and Conceptual Art in Australia and New Zealand’, in Global Conceptualism: Points of Origin, 1950s-1980s, Queens Museum of Art, New York, 1999

Ian McLean, White Aborigines: Identity Politics in Australian Art, Cambridge University Press, Cambridge, 1998

Adrian Martin, ‘Immaculate Conceptions’, Australian Art Collector, #3, Sydney, 1998

Mark Titmarsh, ‘Innenseite’, Object, Sydney, 1998

Richard Dunn, ‘Art the Crossroads: Art in the Fleamarket’, Like Art Magazine, Number 4, Melbourne, 1997

Linda Michael, Ben Curnow, Pam Hansford, The MCA Collection: The Loti and Victor Smorgon Gift of Contemporary Australian Art, (cat), The Museum of Contemporary Art, Sydney, 1997

Richard Dunn, ‘Project page’, Innenseite, Vol 1, (cat.), Universitat Ghk Kassel, 1997

Richard Dunn, ‘Inside the Outside (and vice versa)’ in Binghui Huangfu, ed., In and Out: Contemporary Chinese Art from Mainland China China and the Diaspora, (cat.), Lasalle Sia College of the Arts, Singapore, 1997

Richard Dunn, Looking at Seeing and Dreaming, (cat.), Sherman Galleries Goodhope, Sydney and First Floor Melbourne, 1997

Richard Dunn, ‘Public Art’, Craft Victoria, Melbourne, 1996

Rex Bulter, What is Appropriation? An Anthology of Critical Writings on Australian Art in the 80’s and 90’s, IMA and Power Publications, Brisbane and Sydney, 1996

Richard Dunn, ‘The Pursuit of Meaning: A Strategy of Parts’, in ed Rex Butler, op cit, 1996

Richard Dunn, ‘Art + Architecture: Designing the Raft of the Medusa’, in Intersection: Art + Architecture, Royal Australian Institute of Architects, Canberra, 1996

Rex Butler, ‘Real Installation’, Art and Australia, 33, Sydney, 1996

Lyndal Jones, ‘on reading looking and remembering’ and Rex Butler ‘the real of installation’ in (quotation), (cat.), Artspace, Sydney, 1995

Elizabeth Cross, ‘Introduction ‘, Richard Dunn, (cat.), Sherman Galleries Goodhope, Sydney, 1995

Charles Green, ‘Richard Dunn’ Artforum, New York, 1994

Richard Dunn, Richard Dunn: Selected Writings 1978 – 1994, Monash University Gallery, Melbourne, 1994

Graham Coulter-Smith, ‘Richard Dunn’s Strategy of Parts: From Minimalism to Postmodernism’, in Richard Dunn: Selected Writings 1978 – 1994, Monash University Gallery, Melbourne, 1994

Robert Lindsay, ‘Working through the decade: the artists and their works’, The Baillieu Myer Collectio of the 80’s, (cat.), Museum of Modern Art, Heide , 1994

Ian Burn, Looking Seeing Reading, (cat.), Ivan Dougherty Gallery, Sydney, 1993

Linda Williams, The Architecture of Reform: Richard Dunn’s ‘Surveillance and Punishment’ 1988, (cat.), Royal Melbourne Institute of Technology, Melbourne, 1993

Ian North, Artlink, June, 1993

Bruce Adams, Art + Text, Sydney, 1992

Terence Maloon, ‘The Dialectical Image’, in Richard Dunn: The Dialectical Image – Selected Work 1964-1992, (cat.), Art Gallery of New South Wales, Sydney, 1992

Davina Jackson, (Richard Dunn & Graham Jahn) Synthesis: Art and Architecture, (cat.), Sydney, 1992

Davina Jackson, (Richard Dunn & Graham Jahn) Future City, (cat.), Sydney, 1992

Richard Dunn, ‘Education/Training in/of/for/by Art’, Art Monthly, Sept, Sydney, 1991

Bernard Smith with Terry Smith, Australian Painting 1788-1990, Oxford University Press, Melbourne, 1990

Rene Block, Eighth Biennale of Sydney: The Readymade Boomerang, (cat.), Sydney, 1990

Linda Williams, ‘Contradiction and Realism in the work of Richard Dunn’, in Alison Carroll Art from Australia: Eight Contemporary Views, (cat.), Melbourne, 1990

Peter Weiermair, Prospect 89, (cat.), Frankfurter Kunsthalle, Frankfurt, 1989

Meaghan Morris, ‘Intrigue’, Sighting References, Artspace, Sydney and The Pirates Fiancé, Verso, London, 1989

Christa von Helmolt, Aus vielen Labors, Faz, Frankfurt, 1989

Peter Weiermair and Tony Bond, The Australian Exhibition, (cat.), Frankfurt, 1988

Nick Waterlow, 1988 Australian Biennale. From the Southern Cross: A View of World Art c. 1940- 1988. Art, (cat.), Sydney, 1988

Bruce Adams, Edge to Edge: Australian Contemporary Art to Japan, (cat.), The Australian Bicentennial Authority and participating museums, 1988

Jacques Delaruelle, ‘Richard Dunn’, Art Monthly, October, Sydney, 1988

Gary Sangster, Sighting References, (cat.), AGNSW & National Gallery of NZ, Sydney and Wellington, 1987

Tony Bond, Australian Bicentennial Perspecta, (cat.), AGNSW, Sydney, 1987

Terence Maloon, ‘Richard Dunn’, The Idea Show, (cat.), University of Tasmania, Hobart, 1987

Rob Horne, ‘The Identity of History’, The Idea Show, (cat.), University of Tasmania, Hobart, 1987

Susan Morgan, ‘Great Expectations; The Sixth Biennale of Sydney’, Artscribe, January/February, London, 1987

Nick Waterlow, Origins, Originality and Beyond, (cat.), Biennale of Sydney, Sydney, 1986

Fay Brauer, ‘Sydney Biennale’, Art Monthly, October, London, 1986

Richard Dunn, ‘Argument with Design (annotated)’, On The Beach, No.10, Sydney, 1986

Thomas Lawson and Susan Morgan, ‘The Biennale of Sydney, 1986’, Real Life Magazine, No.16, Autumn, New York, 1986

Timothy Morrell, ‘Big Drawings’, Art and Australia, Vol.23, No.3, Autumn, Sydney, 1986

Nick Waterlow, ‘Introduction: Origins, Originality and Beyond’, Origins, Originality and Beyond, Biennale of Sydney, Sydney, 1986

Timothy Morrell, ‘Big Drawings’, Art and Australia, Vol.23, No.3, Autumn, Sydney, 1986

Thomas Wulffen, Kunstforum, January/February, Koln, 1986

Peter Huck, ‘Sixth Biennale’, Panorama, June, Sydney, 1986

John MacDonald, ‘Close Remarks: On Art and Theory’, Art-Network, 18, Sydney, 1985

David Bromfield, ‘The Pleasure of the Gaze’, Art-Network, 18, Sydney, 1985

Jacques Delaruelle, ‘Richard Dunn’, Art Press, 97, Paris, 1985

Terence Maloon, ‘Richard Dunn’, Australian Perspecta ’85, (cat.), Art Gallery of New South Wales, Sydney, 1985

Anthony Bond, ‘Introduction’, 5/5: Fünf vom Fünften, (cat.), DAADgalerie, Berlin, 1985

Terence Maloon, ‘Richard Dunn’, 5/5: Fünf vom Fünften, (cat.), DAADgalerie, Berlin, 1985

Graham Coulter-Smith, ‘The Politics of Picturing’, On the Beach, No.9, Sydney, 1985

Tim Johnson, ‘An Impossible Vision’, On the Beach, No.9, Sydney, 1985

Gary Sangster, ‘Closing Remarks: Placing Art and Theory’, On The Beach, No.9, Sydney, 1985

Richard Dunn, ‘Designed for Living’, On the Beach, No.9, Sydney, 1985

Bronwyn Clark-Coolee, Drawing From The Barricades, Institute of Modern Art, Brisbane, 1985

Suzanne Davies, The Politics of Picturing, Part II, (cat.), Institute of Modern Art, Brisbane, 1985

Bruce Adams, The Pleasure of the Gaze, (cat.), Art Gallery of Western Australia, Perth, 1985

Donald B. Kuspit, ‘Australian drawings at CDS’, Art in America, New York, 1985

Ken Sofer, ‘Views from down under’, Artnews, New York, 1984

Memory Holloway, ‘The Australians: three generations of drawing’, (cat.), CDS, New York, 1984

Suzanne Davies, he Politics of Picturing, (cat.), University of Tasmania, Hobart, 1984

Richard Dunn, ‘Cultural Scan’, ZG/Art&Text, No.15, New York and Melbourne, 1984

Richard Dunn, ‘Other Than What’, and Introduction to ‘The Dream and the Reality: Sketches from Paris’, Art-Network, No.13, Sydney, 1984

John Young, ‘Anything Still’, Art&Text, Spring, Melbourne, 1983

Paul Taylor, ‘Popism – The Art of White Aborigines’, Flash Art, 112, Milan, 1983

Suzanne Pagé , Leon Paroissien, D’un autre continent, Australie: Le Rêve et le reel, (cat.), ARC/Musee d’art Moderne de la Ville de Paris, Paris, 1983

John Young and Brendan Stewart, eds, Kerb Your Dog No.2, Sydney, 1983

Richard Dunn & Suzanne Davies, ‘Grappling With Diversity: Perspecta 1983’, Art-Network No.10, Sydney, 1983

Richard Dunn, ‘Skating on Thin Ice’, On The Beach, No.2, Sydney, 1983

Richard Dunn, ‘The Pursuit of Meaning: A Strategy of Parts’, Art & Text, No.6, Melbourne, 1982

Memory Holloway, ‘Popism’, Art-Network No.7, Sydney, 1982

John Nixon, ed., Richard Dunn, ‘!The Spirit of Practice!’, Notes on Art Practice No.1, Art Projects, Melbourne, 1982

Bernice Murphy, Australian Perspecta ’81 (cat.), Art Gallery of New South Wales, Sydney, 1981

Richard Dunn, A Dialogue of Objects (cat.), IMA, Brisbane, 1981

Judy Annear, Frame of Reference, (cat.), George Paton Gallery, Melbourne, 1981

Grazia Gunn, The Work and its Context, (cat.), Australia Council, Sydney, 1979

Nick Waterlow, European Dialogue, (cat.), Biennale of Sydney, Sydney, 1979

Richard Dunn, There are many levels, (cat.), IMA, Brisbane, 1979

Richard Dunn, ‘Each work carries its own constraints’, Roadshow: Works on Paper, (cat.), Sydney, 1978

Geoffrey de Groen, Conversations with Australian Artists, Quartet, Melbourne, 1978


Selected Bibliography (Journals)

Peter Hill, Join the dots to link these artists, The Sydney Morning Herald, Sydney, 24 May 2002

Lenny Ann Low, Wittgenstein’s Colour, The Sydney Morning Herald, Sydney, 20 May 2002

‘Richard Dunn zeigt im VOXXX: Kunst aus Australian’, Chemnitzer Blick, Chemnitz, 28 July 2000

‘Australier hat Chemnitzer Kanten liebgewonnen’, Freie Presse: Chemnitzer Zeitung, Chemnitz, 16 July 2000

‘Ein Australier macht Chemnitz zum Atelier’, Chemnitzer Morgenpost, Chemnitz, 16 July 2000

‘Richard Dunn Nomad’, Chemnitz Amsblatt, Chemnitz, 5 July 2000

Gabriela Coslovich, The Age, Melbourne, 16 February 2000

Klaus Susiluoto, ‘Austraian taide ristiaallokossa’, Länsiväylä, Helsinki, 24 February 1999

Marja-Terttu Kivirinta, Elava sydan, Helsingin Sanomat, 4 February 1999

Harald Flor, Australsk mønstre, Dagbladet, Oslo, 5 August 1998

Lotte Sandberg, Kartlegging av ulikt terreng, Aftenposten, Oslo, 4 August 1998

Hilde Østby, Australsk på Stenersen (Photo), Dagbladet, Oslo, 8 July 1998

Terry Ingram, ‘Sideshow eclipses main event’, The Australian Financial Review, Sydney, 10 July 1997

John MacDonald, ‘Exercise in Boredom: Documenta X’, The Sydney Morning Herald, 1 January 1997

Elizabeth Cross, ‘Dunn shuns ‘signature’ to reward serious study’, The Age, Melbourne, 1 October 1994

Christopher Heathcote, The Age, Melbourne, 1 January 1993

Kunster vom Fünften Kontinent, Westfålische Nachrichten, Dortmund, 28 January 1989

Kunster vom Fünften Kontinent , Westfålische Runscau, Dortmund, 21 January 1989

Michael Nungesser, Spannung swischen den Einflüsen, Volkblatt, Berlin, 21 January 1989

Christa von Helmolt, Aus vielen Labors, Faz, Frankfurt, 11 January 1989

Die Ureinwohner sind kein Vorbild, Mannheimer Morgen, Mannheim, 5 January 1989

Ernst Buck, Australien zeight Flagge, Offenbach-Post, Nr 303, Frankfurt, 1 January 1989

V.A., Australier in Kunstverein, Frankfurter Rundscau, Frankfurt, 30 December 1988

Kunster vom Fünften Kontinent, Schaumburg Lippische Landzeitung, 15 December 1988

Weibliche Posen nach Rodin und Michaelangelo, Soester Anseiger, 15 December 1988

Elwynn Lynn, ‘Art: Unashamedly Abstract’, The Australian, Sydney, 10 September 1988

John Macdonald, ‘Richard Dunn, undone’, The Sydney Morning Herald, Sydney, 10 September 1988

Terence Maloon, ‘Images open the spaces for thought’, The Sydney Morning Herald, Sydney, 1 November 1986

Bruce Adams, ‘Artistic gestures point to culture’s myths and motifs’, The Sydney Morning Herald, Sydney, 2 August 1986

Ian Wedde, ‘Which way was the engine pointing’, The Arts Times, New Zealand, 1 August 1986

Don Anderson, ‘The writings on the wall’, The National Times, Sydney, 13 June 1986

Elwyn Lynn, ‘A rich mix of Arte Povera’, The Australian, Sydney, 1 June 1986

Terence Maloon, ‘The finale on the Biennale with the Beuys factor’, The Sydney Morning Herald, Sydney, 24 May 1986

Terence Maloon, ‘The chic chutzpah of art’s new subversives’, The Sydney Morning Herald, Sydney, 23 May 1986

Arthur McIntyre, ‘Big on kitsch and regurgitation’, The Age, Melbourne, 22 May 1986

Timothy Morrell, ‘Big Drawings’, Art and Australia, Vol.23, No.3, Sydney, 1 May 1986

Peter Ward, ‘Big, but not monumental’, The Australian, Melbourne, 1 January 1986

Grant Hannan, ‘View of the unexpected’, The Herald, Melbourne, 21 November 1985

Gary Catalano, ‘Both sides of the Gulf’, The Age, Melbourne, 21 November 1985

Robert Rooney, ‘Art: Non-event of the year’, The Australian, Melbourne, 16 November 1985

Jacques Delaruelle, ‘Richard Dunn’, Art Press, 97, Paris, 1 November 1985

Thomas Wulffen, ‘Begegnung mit einen Kontinent’, Der Tagespiegel, Nr.12145, Berlin, 5 September 1985

Terence Maloon, ‘Dunn’s historical images at cross purposes’, The Sydney Morning Herald, Sydney, 17 August 1985

Terence Maloon, ‘Creating room at the top: Richard Dunn’, The Sydney Morning Herald, Sydney, 20 January 1985

Kim Levin, ‘They came from down under’, Village Voice, New York, 9 October 1984

Terence Maloon, ‘From Pyrmont to Athens’, The Sydney Morning Herald, Sydney, 7 May 1983

Nancy Borlase, ‘Richard Dunn builds a puzzle worth solving’, The Sydney Morning Herald, Sydney, 29 August 1981

Nancy Borlase, ‘The answer to the Biennale is good’, The Sydney Morning Herald, Sydney, 30 May 1981

Jeffrey Makin, Art, The Sun, Melbourne, 27 August 1980

Robert Rooney, Art, The Age, Melbourne, 21 August 1980

Alison Fraser, ‘Voyeurism into another world’, The Australian, Melbourne, 18 August 1980

Nancy Borlase, ‘Squalor and aspiration’, The Sydney Morning Herald, Sydney, 12 July 1980

Sandra McGrath, ‘Perspecta 81’, The Australian, Sydney, 30 May 1980

Gertrude Langer, ‘From Nature to Art – From Art to Nature’, Courier Mail, Sydney, 24 February 1979

Susanna Short, ‘Critic’s Choice’, National Times, Sydney, 16 December 1978

Nancy Borlase, ‘Magical Presence’, The Sydney Morning Herald, Sydney, 9 December 1978

Geoffrey de Groen, Conversations with Australian Artists, Quartet, Melbourne, 1 January 1978

Ruth Faeber, ‘Excavations of the mind’, The Australian Jewish Times, Sydney, 5 May 1977

W.E.Pidgeon, ‘Cerebral Harmony’, The Sunday Telegraph, Sydney, 1 May 1977

W.E.Pidgeon, ‘Youngsters stay pure’, The Sunday Telegraph, Sydney, 7 December 1975

Nancy Borlase, ‘Mainly black and white minimal art makes little call on colours’, The Sydney Morning Herald, Sydney, 4 December 1975

Bruce Adams, ‘Eccentric Outbursts’, The Sunday Telegraph, Sydney, 17 December 1972

Nancy Borlase, ‘Art: Excellent Bedfellows’, The Bulletin, Sydney, 16 December 1972

James Gleeson, ‘Art: Study in Contrast’, The Sun, Sydney, 12 December 1972

Sandra McGrath, ‘Art’, The Australian, Sydney, 9 December 1972

Daniel Thomas, ‘Serious, Ambitious and Gifted Artist’, The Sydney Morning Herald, Sydney, 7 December 1972

Daniel Thomas, ‘Young painters have their say’, The Sunday Telegraph, Sydney, 2 May 1965

John Henshaw, ‘Art: Graffiti Writ Large’, The Bulletin, Sydney, 31 October 1964

Daniel Thomas, ‘The Week in Art’, The Telegraph, Sydney, 18 October 1964

Wallace Thornton, ‘Work of painters under age of 30’, The Sydney Morning Herald, Sydney, 1 April 1964

Elwyn Lynn, ‘Young are going Pop’, The Australian, Sydney, 1 April 1964